Community Design Workshop Notes - Loans Out
The Outgoing Loan Process
- even before a request comes in, there is a need for loan standards
- e.g. classes of loans
- request comes in
- legal paperwork is then required
- condition reporting, packing, all the other logistical steps
Initiating a Loan
- curatorial isn't always the first step in outgoing loans; sometimes registrars work directly with requests, but this process always starts with a request for a loan and review
- at "Large Fine Art Museum," there are separate classes of loans:
- somethings don't travel: too fragile, legal restrictions, etc.
- will lend for important shows only
- can travel frequently
Tracking Loan History
- need to track this history of loans, sometimes done within the collections management system, other times elsewhere:
- have we loaned this object before?
- are we loaning this out too much?
- major variation in the amount of loans: "Large Fine Art Museum" loans thousands, "New Media Museum" loans fewer
Information about Outgoing Loans
- several different contacts at the other institution regarding the loan:
- multiple venues
- the exhibition organizer
- the director
- the curator
- etc.
Special Conditions of a Loan
- lighting conditions, humidity, etc.
- special conditions governing the loan get sent off very early in the process
- verifying that the conditions are being respected
- where does the history of loan conditions get stored?
- this is important information that reflects the history of the object
- most institutions don't record this information
Other Notes
- how to safely handle the object
- installation instructions
Returned Loans
- a curator always reviews the work when it comes back
- conservation reports
Traveling Objects
- in some cases, curators would travel to each venue to ensure it was being handled correctly, but it depends on the show and the work
Insurance Tracking
- who insures the object?
- for how much? privacy
- auction prices and histories are often kept with the object
Physical Archiving
- all legal paperwork gets archived physically
- potential for digital archiving, especially as digital signatures become more frequent
- condition reports usually go into the hardcopy archive
- exhibition information is often physically archived:
- loan agreements
- curatorial information