Community Design Workshop Notes - Collections Exposure

Publish content to Museum website

  • Need to determine what is publicly available.
  • Link to Rights and Reproductions.
  • Select fields, items, images, etc.
  • Also exhibits? Events?
  • Highlight new acquisitions: link to acquisitions records
  • Advertise media events: Public relations activities
  • Are these part of collections management system?
  • Museum blog
    • Who's who in the museum could pull from people records
      highlighting staff, programmers, as well as collections and donors
  • Match volunteers to projects through statistics gleaned from cms
  • Donor/member links
  • Adopt an object
    • Show the current activity surrounding an object.
  • Subscribe to an item.
  • What about the other way around? Data collected from website is ingested into cms? Mailing list for example? Room booking? Forms/Surveys "This reminds me of..." Other details?
  • Permalink. Let the public add an image from museum site to their site.
  • Assemble your own collection.
  • Museum partners.
  • FAQs on items in the collection
  • Timelines
  • Mystery object
  • Select items the museum knows about as well as items it is seeking further information on (example was auto racing experts who helped identify a type of automobile in a photograph).
  • Map interface (kml, google earth, etc.)
  • Quick facts, trivia
  • Have you seen this stolen item?
  • Online store: Links between item descriptions and items in store that are similar, reproductions, in the style of, etc.
  • Borrowed objects: Links to the institution from which the item was borrowed

Publish content to online exhibition

  • Online exhibitions can be virtual representations of physical exhibitions or, a means of extending a physical exhibition.
  • Online exhibitions can be a means to highlight collections.
  • Collaboration with another organization(s)
  • Content development is different from traditional cataloguing for identification purposes.
  • Virtual docent might lead the tour, rather than voice through gallery audio guide or printed map.
  • Can be longer in duration than physical exhibition. This requires periodic review of voice, relevancy, persistence, etc.
  • Need to obtain permissions specifically for online exhibitions. Different from print permissions, display permissions, etc.
  • User material can become part of the exhibition. Tags, comments, forums, etc.
  • When to 'turn off' the exhibit. Similar to but different parameters from physical exhibition.
  • What about content stored in proprietary formats used in online exhibits?
  • How to preserve, archive, catalog these exhibits as digital objects?
  • Many more interpretive path options in online exhibition than physical exhibition. How to distinguish, describe the parts of the whole?
  • Can be template-based.
  • These types of exhibitions are like publications in terms of process.
  • Information held in cms can facilitate these exhibitions as well as be the place to catalog them.

Publish content for educational use

  • How do we provide access to our collections to educators?
    • What do they want?
    • A list of objects? No
    • Objects linked thematically to critical questions of inquiry? Yes
    • Objects tied to curriculum? Maybe
  • Importance of interoperability to increase the resource pool
    • Importance of trusted relationships
  • Need tools for interaction, to create points of entry
  • Need ways to build themed aggregations, as well as free form selection
  • Strategic line between tool creation and situation that allows/exposes tools
  • Annotation is important
    • With whom do we share annotations?
    • Amongst teachers?
    • With students?
    • Not at all?
  • Need to take advantage of existing tools such as Zotero, rather than rebuilding.
  • Can we mediate our materials to increase their accessibility?
  • Connect with past use to increase potential future use.
  • Ways to assist collaborators among educators.
  • Can we/should we allow/encourage educators to remove museum objects from museum provided context and control?
  • Risk of losing institutional identity
    • Does value > risk?
    • Can encoding mitigate this?
    • Are there structured ways to collaborate that are more palatable?
  • How is the collection reflected in dedicated education spaces within the museum?
    • What is being used?
    • How?
  • How can we encourage information exchange? To/From
    educator/students, etc.
  • Currently, our collections are anti-social. Why is this? Institutional decision? Institutional culture? Technological barrier? Culturally required practice?
  • Trust
    • Trusting our resources
    • Trusting educators
    • Trusting other institutions
  • If functionality is easy, we increase the likelihood that educators will use the tools we develop for them. And, institutional identity/integrity is increased because they don't have to take the item they want and change the context because we've provided it along with the output, whatever that might be (i.e., a printout with the museum's logo on it).
  • Who are we talking about when we speak of educators?
    • Teachers (K-12)
    • Curriculum developers
    • Professors/researchers
    • Education non-profits
  • Importance of capturing the 'secret life of the object'